It is often done by a group of teachers who are to teach the _______ course.

A . as B . where C . that D . which

A . install shoring so the shoring supports the damaged bulkheads without pushing on them B . install shoring so that it pushes on the damaged bulkhead while supporting it C . use jacks or chain falls to remove the set before installing shores D . place sandbags by the bulkhead without installing shore

A . floats B . stretches C . handles easily D . resists rot

A . air compressor B . diffuser C . after-cooler D . ventilator

A . occasionally B . accidentally C . often D . usually

A.对 B.错

A．procedure B．protection C．allowance D．access

A. that B. where C. which D. what

“Autumn Rhythm”is a Post-impressionism work done by Jackson Pollock.()

A．A.the vowel appears to be longer（） B．B.pressed C．C.crucial D．D.stressed E．E.impressed

A．go over B．go by C．go against D．go for

A:consumer panels B:External sources C:Internal sources D:board

A．A.usage B．B.use C．C.broken up D．D.used

I am not a psychologist, so I can't offer a professional opinion on what happens to the freedom of individual minds when they are blended into the group management through process of business. But my private analysis is this: morality has to do with people. If an action is hewed primarily from the perspective of its effect on people, it is put into the moral realm. Business in America, however, is impersonal. This is particularly true of large American multi-national corporations. They are viewed by their employees and publics as faceless. They have no personality. The ultimate measure of success and failure of these businesses is not their effect on people but rather their earnings per share of stock. If earnings are high, the business is considered good. If they are low or in the red ink, it is considered a failure. The first question to greet any business proposal is how will it effect profits？ People do not enter the equation of a business decisions except to the extent that the effect on them will hurt or enhance earnings per share. In such a completely impersonal context, business decisions of questionable personal morality are easily justified. The unwavering devotion to the bottom line brings this about, and the American public until now has been more than willing to accept this. When someone is forced into early retirement in a management power-play or supplier is cheated out of sale by under-the-table dealings, the public reaction is generally, "Oh, well. That's business." And management's reaction is often, "it's what's on the bottom line that counts." A person who shoots and kills an other is sentenced to life in prison. A business man who makes a defective product which kills people may get a nominal fine or a verbal slap on the hands, ff he is ever brought to trial at all. In the author's view, if an American business makes an immoral decision as a group, the man aging individuals ______. A．may be excused from trial B．are often above reproach C．may differ in interpreting morality D．should not escape responsibility

The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it .was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway's conception of its meaning subtly changed several times in the course of his career--always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments; the sense of place the sense of fact and the sense of scene. The first of these, obviously a strong passion with Hemingway is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing." You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have s carefully charted out she geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner café… Or when, at around six o' clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring. "When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up street toward the bullring and behind them came more men running faster, and then some stragglers who ere really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together." This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seem from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running." Brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls-closing the design, except of course for the man in the gutter making himself, like the designer's initials, as inconspicuous as possible. According to the author, Hemingway's primary purpose in telling a story was ______. A．to construct a well-told story that the reader would thoroughly enjoy. B．To construct a story that would reflect truths that were not particular to a specific historical period C．To begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been" D．To report faithfully reality as Hemingway had experienced it.

A．previously B．uniquely C．outwardly D．initially

是 否

A:正确; B:错误